Podcast: Chats in Lockdown A few weeks ago I was interviewed by the artist Emma Cousin for her fab new podcast Chats in Lockdown: artists talking. It was such a nice conversation and it’s…
Collaboration – bacterial bonds and the capacity for listening Earlier this Summer, the lovely Sarah Roberts, fab artist and one half of SHELF, asked me to send her some thoughts on collaboration to share in a workshop she was…
Auralities Talk Preparing this talk was an amazing opportunity to share some of my obsessions and to reflect on how Foley (my day job) links in to and feeds my artistic practice.…
Manufactuur Residency, Kapel at de Bijloke, Gent install shots and performance documentation (5 speakers, tactile transducer, mics, objects, laptop, controller, steel plate)
Live Foley for Yorkshire Silent Film Festival In May 2018 I was invited to perform live Foley with Sue Harding for Yorkshire’s Silent Film Festival for Kirsanoff’s beautiful Menilmontant. We were accompanied with a live improv by…
Imprints from the Rheidol Valley – Wales, March 2018 My plan was to search for and collect sound and sculptural traces of both the mining and natural formation of the landscape over its history. I focused around the adit…
Sounding Objects at Pump House Gallery London Images from a series of sound workshops @ Pump House Gallery London Sounding Objects is a project I am doing with artist Fritha Jenkins. We have been running a series…
Overtoon Research Residency Feb 2018 My studio overlooks a construction site and the doc yards. They’re captivating! Particularly the mountains of scrap metal and the mounds of different gravels in the concrete yards. I’ve been…